Pub­lisher’s Presentation:

In Wild Things Jack Hal­berstam offers an alter­native history of sex­u­ality by tracing the ways in which wildness has been asso­ciated with queerness and queer bodies throughout the twen­tieth century. Hal­berstam the­o­rizes the wild as an unbounded and unpre­dictable space that offers sources of oppo­sition to moder­nity’s orderly impulses. Wildness illu­mi­nates the nor­mative tax­onomies of sex­u­ality against which radical queer practice and pol­itics operate. Throughout, Hal­berstam engages with a wide variety of texts, prac­tices, and cul­tural imaginaries—from zombies, fal­conry, and M. NourbeSe Philip’s Zong! to Maurice Sendak’s Where the Wild Things Are and the career of Irish anti­colonial rev­o­lu­tionary Roger Casement—to demon­strate how wildness pro­vides the means to know and to be in ways that trans­gress Euro-American notions of the modern liberal subject. With Wild Things, Hal­berstam opens new pos­si­bil­ities for queer theory and for wild thinking more broadly.

Praise:

Where can the wild take you? With Jack Hal­berstam as guide, to places fab­ulous, cruel, soaring, undead, hilarious, dark, seductive, promising, non­prov­i­dential. Wild Things is a bril­liant phe­nom­e­nology of the (more than) human con­dition of bewil­derment. Its cri­tique of invo­ca­tions of wildness tethered to colonial, racist fan­tasies also marks how the figure can con­tribute to forms of desire bent toward the feral, the incipient, the oth­erwise. Wild Things is an awesome trip.” — Jane Bennett, author of Influx and Efflux: Writing Up with Walt Whitman

How does one learn about wildness? Coming from a longtime scholar of sex­u­ality, the animal, desire, and anarchy, Jack Hal­ber­stam’s Wild Things­fosters a gen­erous archive, favoring bewil­derment over a ritual turn back to order and knowing. Fol­lowing this book con­sti­tutes a kind of epis­te­mo­logical travel and cul­mi­nates in a habit of sen­sation, a dis­or­derly cam­paign, and a queer method that will stay with you.” — Mel Y. Chen, author of Ani­macies: Biopol­itics, Racial Mat­tering, and Queer Affect

[A] cre­ative, discipline-smashing study exploring the human attraction to ‘the wild.’ … Halberstam’s approach is equal parts aca­demic and poetic, making for a dense and, at times, beau­tiful text. This is a work that demands attention, which it rewards with both insight and enter­tainment.” — Pub­lishers Weekly

In Wild Things Hal­berstam moves rest­lessly across lit­er­ature, cinema, theater, music, and poetry, deter­mining the various modes by which people have devoted them­selves to, or been effec­tively written within, the incom­pre­hen­si­bil­ities of the wild, of wildness, and of bewil­derment…. Wild Things (un)clarifies the wild as an always-present threat to modernity’s coherence, illu­mi­nating the anti-Black and het­ero­nor­mative carceral logics at the heart of liberal democracy by unveiling those under common ways of knowing and being that lib­er­alism seeks to obscure, incor­porate, lock up, or destroy.” — Invisible Culture

The limits of Hal­ber­stam’s analysis are bound­lessly educative and enter­taining: one chapter calls out proto-queer male writers for their affinity and iden­ti­fi­cation with feral fal­conry while another examines the nature of family pets. Within the realms of what the author himself calls a ‘coun­ter­in­tu­itive queer project,’ Hal­ber­stam’s intel­lec­tually engrossing phe­nom­e­nology evokes thoughts of how the concept of ‘wild’ can be applied to crea­tures and con­cepts both great and small while inspiring spirited con­ver­sation and debate.” — Jim Piechota, Bay Area Reporter

Wild Things offers readers and scholars working on envi­ron­mental ques­tions a vibrant archive for thinking his­tories of sex­u­ality and desire alongside con­cepts of the “wild” and its dis­orders.… The text is espe­cially rich as an archive of the ways wildness per­sists within and can be acti­vated against mod­ernist writers. Halberstam’s wildness is a morally ambivalent, non-identitarian invitation—one that might lead to bewil­derment, zombies, children’s books, hawks, or any number of other queer, wild things.” — Julia Dauer, Edge Effects

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