LEFEBVRE, HENRI. THE PRODUCTION OF SPACE. BLACKWELL, 1991.

Publisher’s Intro­duction

Henri Lefebvre’s work spans some sixty years and includes original work on a diverse range of sub­jects, from dialec­tical mate­ri­alism to archi­tecture, urbanism and the expe­rience of everyday life. The Pro­duction of Space is his major philo­sophical work and its trans­lation has been long-awaited by scholars in many dif­ferent fields. The book is a search for a rec­on­cil­i­ation between mental space (the space of the philoso­phers) and real space (the physical and social spheres in which we all live). In the course of his explo­ration, Henri Lefebvre moves from meta­physical and ide­o­logical con­sid­er­a­tions of the meaning of space to its expe­rience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between phi­losophy and reality. In doing so, he ranges through art, lit­er­ature, archi­tecture, and eco­nomics, and further pro­vides a pow­erful antidote to the sterile and obfus­catory methods and the­ories char­ac­ter­istic of much recent con­ti­nental phi­losophy. This is a work of great vision and inci­siveness. It is also char­ac­terized by its author’s wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith’s sen­sitive trans­lation pre­cisely captures.

Henri Lefebvre began his career in asso­ci­ation with the sur­re­alist group, from whom he learned Hegel and a concern with dialec­tical logic. He was the first to translate Marx’s early man­u­scripts into French, and his book Dialetical Mate­ri­alism (pub­lished in 1938) became the work from which several gen­er­a­tions of French intel­lec­tuals learned Marxism. Imme­di­ately after the war, Lefebvre began to reflect on a new object of study which he called “daily life”. After the pub­li­cation of Everyday Life in the Modern World, he was drawn to the analysis of urbanism, and wrote several books on the city, including Space and Pol­itics(1972). In the 1960s he became closely involved with the younger school of French archi­tects, and pro­vided a the­o­retical framework for their work. Finally, the accu­mu­lation of these diverse themes led to his major philo­sophical work, The Pro­duction of Space.”

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