Readings

Erich Auer­bach’s take on the study of the figura is not inde­pendent from the his­torical moment of anti-Judaism he was living in.

Through Quick­search, at Yale, you can find an online copy of Robyn Chapman Stacey’s book.

On the margins of this article, there are pdf’s to two com­men­taries of the Song of Songs, that of the Spanish rabbi Arragel, who trans­lated, com­mented, and painted a Bible for the Duke of Alba in the early 15th century, and an edition of the Bible with the Ordinary Gloss and the com­men­taries of Nicholas of Lyra.

At the center of the debates, the lin­guistic expres­sions that mark the pos­si­bility of a fictio legis or legal fiction.

“In Tabula Picta Marta Madero turns to the extensive glosses and com­men­taries that medieval jurists ded­i­cated to the above ques­tions when artic­u­lating a notion of intel­lectual and artistic property rad­i­cally dif­ferent from our own.

Derrida was fre­quently inter­ested in mar­ginal writing, as we can see in La gram­ma­tologie, Marges de la Philosophie, or, of course, the infi­nitely labyrinthine Glas. None of these inter­ven­tions can be read devoid of their physical, material aspect.

Alen­castro, Luiz Felipe de.

Part I Zamora Loboch, Francisco.

Brewer-García, Larissa.

Bennett, Herman.